毕业论文中英文摘要怎么写精选3范例

对于很多毕业生来说，毕业论文并不陌生，然而论文摘要部分作为论文的首要位置，很多人都不清楚论文中英文摘要怎么写？下面学术堂整理了三篇英文摘要，告诉大家论文中英文摘要的格式规范，以此为鉴，欢迎阅读。

英文摘要一

论文题目：技术与电影艺术的发展
Abstract
Cinemaisthelatestandmostyoungoneofthegreatfamilyofart.Theothersareregardedasalonghistoryandevenancient,suchaspainting,sculpture,dance,literature,music,andsomeappearedintheprimitivesociety,alreadyhaveabrilliantachievementandalongtradition.Thereisnomorethan120years,sincetheappearingofcinemainthe1800s.However,cinemahavedevelopedrapidlyandhasbecomeanewformofart（TheSeventhArt）aftermusic,poetry,dance,architecturepaintingandsculpture.AsTheSeventhArt,cinemadifferentfromotherartswithsomefeatures,aprincipalone,itistheonlyonewithatechnicalinventionasthemarkofemerging.Weareintheageofadvancedaudiovisual,cinema,television,multimediaattractmoreandmoreattentionofus.Asayoungart,movieshaveamoreintimatecontactwiththepeople'slivesthanmanytraditionalarts,whichalsomakesthemoviehasbecomeahotresearchpointtoday.Peopleexplainedtheexistenceandevolveoffilmsinceit'sbornbyavarietyofwayswithsomanyresearcharticlesaboutartandtechnology.
However,thesymbioticrelationshipandinteractionbetweenartandtechnology（thetwoindivisiblepartsofmovieontology）hasnotbeencompletelyelucidated.Themostinvolvingarticlesarespecifictechnicalandskillsissues,andtechnologyandskillsareoftenconsidered“lack”oftheory.Whencomestotechnologyandthemovie,itismoreelaboratingdigitaltechnologyandignoringotherperformanceskillsandmeansintheliteratureafterthe1990s.Hereinvestigatedthetechnology.Thisdevelopmentoffilmartperspectmearticlefocusedonthefromimpactdevelopmentoffilmarttechnology,strivedtounderstandandgrasptheinteractionbetweenartandfilm,andexplainedthatthedemandofartstimulatedtheinventionofnewtechnologiesinacertainextent,thedevelopmentoftechnologypromotedthearttoamoreadvancedstage.
Thispaperisdividedintothreeparts.
PartI:Preface.Descriptionandassessmentofthestatusofthecurrentacademictechnologyandfilmstudies.Collatingandreviewingtheachievementsanddeficienciesofresearchabouttheimpactoftechnologyonthefilm,pointingoutthesignificance,methods,contentandinnovationofthisstudy.
PartII:Chapter1一6.Therelatedconceptswereintroducedbrieflyatfirst,andthentheimpactoftechnologicaldevelopmentforChinaFilmArtwasdiscussedfromfivemajortechnicalperspective.
Chapter1:Technologyandmovies.Thedefinitionoffilmtechnologywasdefinedclearly,thesignificantmeaningandimpactoffilmtechnologyforartswerepointedoutbyDescriptionthehistoryoffilm.Inaddition,analyzedfromtheperspectiveofthecreatorsofthefilm,thereasonwhyfilmartshowingarichartisticeffectandartexpressiveisthatcreatorofthefilmhavedifferentchoicesandactionsabouttechnology.
Chapter2:Thebirthofcinema.Elementsoftraditionalartsimilartotheartoffilmwasrecallingatfirst,suchaslantern,shadow,painting,andthentherelationshipoftheseearlyartandfilmwasexplained.Afterthat,thebirthoffilmcreatedbythedevelopmentoftechnologywasdiscussed,likethebirthofphotography,photographyandtheinventionoftheprojector.Atlast,thepaperintroducesthesimilaritiesanddifferencesbetweenthefilmartandotherarts（suchasdrama,painting,fiction），andbrieflydiscussesthemainfeaturesofthefilmart.
Chapter3:Wonderfulsound.Thischapterselectedfourstagesfromsilenttosoundexperienced:waxdiscsound,filmsound,magneticrecordinganddigitalstereo.Firstly,theeffectoftheimprovementoffilmandphotofinishingtechnologiestothedevelopmentoffilmwasintroduced,andtheaestheticcharacteristicsofsilentfilmwassummarized.Andthen,thechangesofnarrationandotheraspectsoffilmcausedbyaddingvoiceanduniqueaestheticfeaturesofsoundfilmwerediscussed.Finally,theimpactofthedevelopmentofdigitalsoundtechnologyonthefilmwasanalyzed.
Chapter4:Thecolors.TheusageoftonerFranceandothertechnologyinmovietechnologybeforecolorfilmappearingandthemoviedevelopmentsituationatthattechnicalconditionswereintroduced.Andtheaestheticcharacteristicsofearlycolorfilmwasanalyzed.Theimpactofchangesoflighteffectsandadjustofcolorondevelopmentoffilmandtheuniqueaestheticcharacteristicsofcolorfilmafterthebirthofcolorfilmwereanalyzed.Finally,theapplicationofdigitaltechnologyintermsofcolorfilmwasdiscussed.
Chapter5:Deformationscreen.Itwasreviewedthattherearetwocommonimageframerate,oneis1.33:1（silent），andtheotheroneis1.37:1（35mmsoundfilm“standardframethanthe”）beforetheappearingofwidescreenmovies.Theimpactofthesolutionofanamorphiclenstechnologyproblemsonwide-screenimagequalitywasdiscoursed,andthechangesoncompositionoffilmartandotheraspectsbroughtbywide-screenwasanalyzed.Thenthree-dimensionalcinemawasintroducedinthischapter.Thetechnicalsupportofthree-dimensionalfilmwasanalyzed,andtheaestheticcharacteristicsofthree-dimensionalmovieswasexplored.Finally,360degreemoviescreen,IMAXdomemoviesandotherlarge-screenmoviewereintroduced.
Chapter6:Crazydigit.Fortraditionalfilmmovies,camerasart（movies）underfilmtechnologywasanalyzedfromchangeoffilmanddevelopmentofcamera.Thentheimpactofdigitaltechnologyontraditionalfilm.Finally,theultra-realisticmovieexperienceandtheimpactofdigitaltechnologyonfilmtexts,filmsandfilmbodyacceptancebroughtbydigitaltechnologywereexplored.
PartIII,Epilogue:Effectofnarrativefilmart,nature,etc.producedbythedevelopmentoftechnology,andenhancementofpursuitaboutSenseontechnologyoffilmweresummarized.Analysisbyclaimsofsomeanti-technologyschoolandnowsomemoviestoomuchemphasisonthestatusoftechnology,itwasconcludedthattechnologystackingisnotthefilm'snature,andtechnologycontentisnotthepursuegoalsoffilmalso.Forthefilm,thetechnologyisonlyameanstoshowitsartisticexpression,sotechnologyshouldnotbehighlightedtoomuch,theyarecomplementary,mutuallybeneficialconclusion.Inotherwords,therenewaloftechnologypushesthedevelopmentoffilmart,andthepursuitofartpromotestheprogressoftechnology.

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