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临沂大学
毕业论文(设计)
从后现代主义视角看《等待戈多》的
反戏剧手法
姓名李四
学号
AStudyof"Anti-play"TechniquesonWaitingforGodotfromthePerspectivesofPostmodernism
AThesisSubmitted
toForeignLanguagesSchoolof
LinyiUniversity
inPartialFulfillmentoftheRequirements
fortheDegreeofBachelorofArts
ByYournameSupervisor:April10,2016
Acknowledgements(TimesNewRoman三号粗体居中)
Iwouldliketothankallthosewhohavegivenmetheirgeneroushelps,mitmentandenthusiasm,whichhavebeenthemajordrivingforcetopletethecurrentpaper.等
Abstract(TimesNewRoman,三号,粗体,居中)
SamuelBarclayBeckett(1906-1989)wasanIrish-bornpoet,novelistandplaywright,andisadmittedlyregardedasoneofthegreatestmastersintheliteraryworldof20thcentury.HismasterpieceWaitingforGodot,iswidelyregardedasaclassicoftheTheatreoftheAbsurd.Thewriterofthisthesistriestounderstandthoseanti-playtechniquesfromtheperspectivesofpostmodernismandperceivethespiritofpostmodernismthattheplayowns.Here,thisthesisfocusesonfourtypicalfeaturesofpostmodernism:thedissolutionofthesubject,depth-less-ness,indeterminacy,parodyandirony.BytheanalysisofBeckett'santi-playtechniquesinWaitingforGodot,wecannotonlyperceivehowheoverthrowstraditionaldramaticregulationsthoroughlyandextraordinarilybutalsoexperiencethespiritofpostmodernismthatheconveystousasaprecursorofpostmodernism.TheprominenttechniquesofBeckettnotonlyhaveinimitableartisticvalueinmodernismmovement,whichissurgingforwardathistimesbutalsoleadsliteraryexcellenceinthenewlyarisenpostmodernism.
Keywords:SamuelBeckett,WaitingforGodot,anti-play,postmodernism
摘 要(此处为宋体,小二号,粗体,居中)
本文作者尝试从后现代主义的视角去认识《等待戈多》的反戏剧手法,感受贝克特通过此剧所传达的后现代主义精神.这里,本文关注了四个典型的后现代主义特征,它们分别是:主体的消失,深层模式削平,不确定性,戏拟和反讽.通过分析我们不仅看到他对传统戏剧规范所进行的空前激烈的颠覆,也体会到他作为后现代主义的先驱所传达给我们的后现代主义精神.贝克特高超的艺术手法不仅在风起云涌的现代主义文学运动中具有独特的艺术价值,而且在刚刚兴起的后现代主义文学的形式革新中独领风骚.
关 键 词:塞缪尔·贝克特,《等待戈多》,反戏剧,后现代主义
TableofContents
Acknowledgements等i
Abstractii
摘 要iii
TableofContentsiv
Introduction1
ChapterOneTheTheoreticalPremises3
1.1TheDissolutionoftheSubject5
1.2Depth-less-ness5
1.3Indeterminacy6
1.3.1IndeterminacyoftheTheme6
1.3.2IndeterminacyofCharacters7
1.3.3IndeterminacyofthePlot7
1.3.4IndeterminacyoftheLanguage10
1.4ParodyandIrony14
ChapterTwoDehumanizedCharactersandPairingRelationshipsinWaitingforGodot17
ChapterThreeDirectExpressioninWaitingforGodot20
3.1EmptyStageandMuddle-headedCharacters23
3.2DisorderedTemporalStructure30
3.3DevaluedLanguageandSilenceAesthetics34
ChapterFourThe"Indeterminacy"inWaitingforGodot40
4.1IndeterminacyoftheCharacters43
4.2IndeterminacyoftheTheme45
4.3IndeterminacyofthePlot50
ChapterFiveWaitingforGodot:JuxtapositionofComedyandTragedy55
Conclusion57
WorksCited60
Introduction
SamuelBarclayBeckett(1906-1989),anIrishnovelistandplaywright,isadmittedlyregardedasoneofthegreatestmastersintheliteraryworldof20thcentury.In1969,hewasawardedtheNobelPrizeforLiteraturebyrightofhiseminentplay,WaitingforGodot,whichhasinfluencedlatergenerationsofcontemporaryplaywrightsthroughouttheworld.ActuallyBeckettconsideredhimselfamuchbetternovelistandhethoughtofhisplaysasdiversionsundertakenattimeswhenworkonhisfictionhadbroughthimtoacreativeimpasse,butsinceWaitingforGodotwasfirstperformedinParison5January1953,thegreaterpartofhisliterarycareerhasresultedinhisspecialformofwritingforthetheatre.
Theplaycontainstwoactsinwhichtwotramps,VladimirandEstragon,waitforsomeonenamedGodotwhoissupposedtokeepanappointmentwiththem.Theyarejoinedbyamanandhisservant,PozzoandLucky,whostaywiththembriefly,thencontinueontheirunspecifiedway.AboyesattheendofthefirstacttotellVladimirandEstragonthatMr.Godotwillnotethatday,butmostsurelythenext.Atreewhichhasbeenbareofleavesistheonlysetting,andamoonrisestosignifythatdayhasendedandnighthaseasthefirstactends.Inthesecondact,thetreemiraculouslysproutsafewleavesbutnothingelsehaschangedforVladimirandEstragon.PozzoandLuckyreturnandthenleave,theboyesagainandrepeatsthesameinformation.VladimirandEstragonaredisappointedandconsidermittingsuicide,buttheyevenhavenotgotaropestrongenoughtohangthemselves.Theyspeakofleavingforseveraltimesbuttheydonotmove.Themoonesupagain,andthecurtainfallsasthetwomenstandsilentlyfacingtheaudienceinattitudesofsolemndignity,displayingbothresignationanddejection.
Thethesisconsistsofthreeparts.PartOneisanintroductiontoSamuelBeckettandWaitingforGodot,theresearchbackground,thereasonsandpurposeofstudyingWaitingforGodotfromtheperspectivesofpostmodernism.Pa
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